Inmanywaystheearliestperiodsofphotographyarethemostsatisfying.Learningtousethecontrolsiseasyandcomesquicklyandyoucanmeasuretheresultsintermsofsharpandcorrectlydevelopedpictures.Onceyouhavemasteredthatyoucanstartonthesecondstepofyourphotographicwork.Usingthesebasicskillsinawidevarietyofsituationstogivethepicturesyouwantnoticingwhatyouseethroughtheviewfinderandturningthatintothemosteffectivepicturebecomestotallyinteresting.
Allgoodphotographshaveonethingincommon:thereisnodoubtwhatthesubjectofthepictureismeanttobe.Everyphotographermustusethosesamestandardstohisorherworknotonlytothefinishedresultsbuttothesubjectbeforeheorshetakesit.Alwaysworkoutquiteclearlywhatthesubjectofthepictureistobeandwhyyouaretakingthepicture.ForexampleIamgoingtotakeapictureofthisstreettoshowthedifferentstylesandagesofthebuildingsandthatpeoplehavebeenlivingworkingandshoppinginthemsincetimebegan.Bydoingthisyouhaveabetterideaofwhattoincludeinthepictureandwhattoleaveout.Howoftenhaveyoubeenshownphotographstakenbypeopleawayonatripsomewhere?Thejudgmentisalwayssimilarsomethingabout“thecarparkisoutofthepicturetotheleft”or“youcan’tquiteseefromthispicturebutifyougoupthestreet”.ThephotographsareusuallycollectionsofbuildingspeopleparkedcarspossiblyadistantlookofanancientchurchandbestofallafigurewhichyouaretoldisAuntHenriettadisappearinginthemiddledistance.Whenphotographersshowyoutheirpicturestheyhaveaclearideaofwhattheywanttobringtoyourattentionbutitoftendoesnotappearinthepicture.Iftheyhadgivenjustalittleoftheirtimetothinkabouttheirfuturejudgmentbeforetakingthepicturethenthepicturewouldrelateitsownstory.Goodpicturescanshowtheirsubjectsquicklyandeasily.
(1)
A.
Allowsyoutoleaveoutunnecessarymaterial.
B.
Allowsyoutostandinthebestplace.
C.
Helpsyoutovarythesubj